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Twentieth-Century Irish Drama
This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.
Yeats Annual No. 3
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Heroic Revivals from Carlyle to Yeats
This book reassesses the cultural and political dimensions of the Irish Revival's heroic ideal and explores its implications for the construction of Irish modernity. By foregrounding the heroic ideal, it shows how the cultural landscape carved out by these writers is far from homogenous.
The Magic of Terry Pratchett
An in-depth look into the life and writings of the bestselling author of the Discworld novels, Good Omens, and Nation. The Magic of Terry Pratchett is the first full biography of Sir Terry Pratchett ever written. Sir Terry was Britain’s bestselling living author*, and before his death in 2015 had sold more than 85 million copies of his books worldwide. Best known for the Discworld series, his work has been translated into thirty-seven languages, and performed as plays on every continent in the world, including Antarctica. Journalist, comedian and Pratchett fan Marc Burrows delves into the back story of one of UK’s most enduring and beloved authors, from his childhood in the Chiltern Hill...
The Anti-Imperialist and Nationalist Struggle of Halide Edib Adivar and Lady Augusta Gregory
This book offers a comparative study on the literary configurations of nation-state identity in the works of the contemporaneous Halide Edib Adıvar and Lady Augusta Gregory, specifically focusing on their roles as social reformists, female activists, and anti-imperialists through the components of national identity such as gender, language and transnational exchanges. It exposes the critical stance adopted by Lady Gregory and Halide Edib against British imperialism, and questions if these writers exhibit a local or international outlook of anti-imperialism. It is the first comparative study on Lady Gregory and Halide Edib, and explores how their anti-imperial stances shaped or influenced their sense of national identity. It will allow the reader to reach a unique evaluation of the literary works of these two writers with different cultural backgrounds but similar national ideals.
Yeats Annual No 6
This research-level publication for current thought and documentation upon the life and work of Yeats, focuses on Yeats at work on various manuscripts and on his tours of America. Two of his poems are published from manuscript for the first time.
An Irish Literature Reader
In a volume that has become a standard text in Irish studies and serves as a course-friendly alternative to the Field Day anthology, editors Maureen O’Rourke Murphy and James MacKillop survey thirteen centuries of Irish literature, including Old Irish epic and lyric poetry, Irish folksongs, and drama. For each author the editors provide a biographical sketch, a brief discussion of how his or her selections relate to a larger body of work, and a selected bibliography. In addition, this new volume includes a larger sampling of women writers.
Lady Gregory and Irish National Theatre
This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin. It elaborates on her distinctive vision of the social role of a National Theatre in Ireland, especially in relation to the various reform movements of her age: the Pre-Raphaelite Movement, the Co-operative Movement, and the Home Industries Movement. It illustrates the impact of John Ruskin on the aesthetic and social ideals of Lady Gregory and her circle that included Horace Plunkett, George Russell, John Millington Synge, William Butler Yeats, and George Bernard Shaw. All of these friends visited the celebrated Gregory residence of Coole Park in Country Galway, most famously Yeats. The study thus provides a pioneering evaluation of Ruskin’s immense influence on artistic, social, and political discourse in Ireland in the late nineteenth and early twentieth century.
The Cambridge Companion to Twentieth-Century Irish Drama
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